Previous Years' Course Catalogues

Scripted improv and writing styles, dialogue, storyline, language, editing and mime script as elements of writing plays and stories for faith communities and seekers. A writing course to develop sacred stories for one person or many to present as homily or drama and to contribute to God's ongoing living Gospel.

Scripted improv and writing styles, dialogue, storyline, language, editing and mime script as elements of writing plays and stories for faith communities and seekers. A writing course to develop sacred stories for one person or many to present as homily or drama and to contribute to God’s ongoing living Gospel. A good companion course to TRP2871HF We The Storytellers.

Scripted improv and writing styles, dialogue, storyline, language, editing and mime script as elements of writing plays and stories for faith communities and seekers. A writing course to develop sacred stories for one person or many to present as homily or drama and to contribute to God's ongoing living Gospel. A good companion course to TRP2871HF We The Storytellers.

Scripted improv and writing styles, dialogue, storyline, language, editing and mime script as elements of writing plays and stories for faith communities and seekers. A writing course to develop sacred stories for one person or many to present as homily or drama and to contribute to God's ongoing living Gospel.

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels. 

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels. Evaluation: Presentation of 10-minute performance piece; written report. (Academic mentor: David Neelands)

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels.

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels. Evaluation: Presentation of 10-minute performance piece; written report. (Academic mentor: David Neelands)

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels.

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels.

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels. Evaluation: Presentation of 10-minute performance piece; written report. (Academic mentor: David Neelands)

Improvisation, theatre games, mask, mime and voice work as a basis for acting and story telling in faith communities; brief histories of liturgical drama; telling and exegesis of the Story in a society that is becoming biblically illiterate; finding creative ways to present individual gospels.