Previous Years' Course Catalogues

This course explores issues in the philosophy of religion, with special reference to The Brothers Karamazov. Major themes include: the existence and nature of God, religious language, religious experience, faith and reason, the problem of evil, religion and morality, and afterlife beliefs. Readings include Fyodor Dostoevsky's The Brothers Karamazov and selections from theologians and philosophers of religion.

The last book of the Christian biblical canon, the Book of Revelation is often talked about but less often read. It has inspired and continues to inspire a range of persons and groups, from fringe religious movements through to artistic and intellectual titans. This course will consider the Book of Revelation in its own rights, situating it within its time and place, and also consider what it might mean for Christian thought and practice in the contemporary world.

The last book of the Christian biblical canon, the Book of Revelation is often talked about but less often read. It has inspired and continues to inspire a range of persons and groups, from fringe religious movements through to artistic and intellectual titans. This course will consider the Book of Revelation in its own rights, situating it within its time and place, and also consider what it might mean for Christian thought and practice in the contemporary world.

The last book of the Christian biblical canon, the Book of Revelation is often talked about but less often read. It has inspired and continues to inspire a range of persons and groups, from fringe religious movements through to artistic and intellectual titans. This course will consider the Book of Revelation in its own rights, situating it within its time and place, and also consider what it might mean for Christian thought and practice in the contemporary world.

This course is an in-depth analysis of Paul's Second Letter to the Corinthians, in which students will engage in detailed critical interpretation of the biblical text within its socio-historical context. The central theological themes of the letter will be explored [for example, the ministry of reconciliation, the relationship between the old covenant and the new, and the relationship of the Gentile Church to the church in Jerusalem], and there will also be an examination of such introductory questions as the unity of the letter and an investigation of the relevance of the letter for today’s world.

For much of the Western art tradition, the concept of grace has been an Important critical concept for Its ability to capture the often elusive quality of artistic affect. Often referred to as the "je ne sals quoi" of art- that something extra that cannot be explained -grace even supplanted beauty for many wrtters (from Giorgio Vasari to Friedrich Schiller) as the highest artistic Ideal. Often missing from modem analyses of the concept, however, are its theological foundations. This seminar style course will exam the concept of grace within Its theological, philosophical, literary, and art theoretical contexts in an effort to understand both its historical significance and its potential usefulness for the philosophy of art today. We will look at a variety of texts (e.g. from Plato, Cicero, the Pseudo-Dionyslus, Dante, John Calvin, Alexander Pope, Friedrich Schiller, Martin Heldegger) as well as works of art for which grace is an important and defining aesthetic concept.

Until recently, it was customary to regard Kant as the thinker who gave definitive form to the notion of aesthetic judgment and who succeeded in explaining why aesthetic experience is something essentially distinct from other kinds of experience. The postmodern rejection of the practice of aesthetic theory, however, has done much to undermine Kant’s position vis-à-vis the arts. This course aims to re-examine Kant’s aesthetic theory from the vantage point of the art theoretical literature that preceded it. In an effort to better understand Kant’s contribution to the history of thought about art, it will seek to contextualize such “Kantian” themes as judgment, taste, genius, beauty, sublimity and purposiveness. It will also consider to what degree our understanding of Kant has been shaped by later modernist assumptions about the character of his contribution.

How does pragmatism's central tenet that the meaning and worth of ideas lies in their practical consequences comport with religious forms of life and the understandings of morality they fund? Does pragmatism's suspicion regarding traditional "supernaturalist" theologies leave any space to think alternatively about God and the human relationsip with God? What role do pragmatists see for religion in a democratic society, if any?  In addressing these questions, this seminar will focus on the work of John Dewey, Richard Rorty, and Jeffrey Stout.

How does pragmatism's central tenet that the meaning and worth of ideas lies in their practical consequences comport with religious forms of life and the understandings of morality they fund? Does pragmatism's suspicion regarding traditional "supernaturalist" theologies leave any space to think alternatively about God and the human relationsip with God? What role do pragmatists see for religion in a democratic society, if any? In addressing these questions, this seminar will focus on the work of John Dewey, Richard Rorty, and Jeffrey Stout.

How does pragmatism's central tenet that the meaning and worth of ideas lies in their practical consequences comport with religious forms of life and the understandings of morality they fund? Does pragmatism's suspicion regarding traditional "supernaturalist" theologies leave any space to think alternatively about God and the human relationsip with God? What role do pragmatists see for religion in a democratic society, if any?  In addressing these questions, this seminar will focus on the work of John Dewey, Richard Rorty, and Jeffrey Stout.

MTS Synthesis Paper