In-Person if the course requires attendance at a specific location and time for some or all course activities. These courses will have section codes starting in 0 or 4.
Online – Asynchronous if the course has no requirement for attendance at a specific time or location for any activities or exams. These courses will have the section code starting with 61.
Online – Synchronous if online attendance is expected at a specific time for some or all course activities, and attendance at a specific location is not expected for any activities or exams. These courses will have the section code starting with 62.
Hybrid if the course requires attendance at a specific location and time, however 33-66% of the course is delivered online. If online attendance is expected at a specific time, it will be in place of the in person attendance. These courses will have the section code starting with 31.
Some courses may offer more than one delivery method please ensure that you have the correct section code when registering via ACORN. You will not be permitted to switch delivery method after the last date to add a course for the given semester.
Please Note:
If you are unable to register, through ACORN, for a course listed on this site, please contact the registrar of the college who owns the course. This can be identified by the first two letters of the course code.
For Summer courses, unless otherwise stated in the ‘Enrolment Notes’ of the course listing, the last date to add a course, withdraw from a course (drop without academic penalty) and to obtain a 100% refund (minus the minimum charge) is one calendar day per week of the published meeting schedule (start and end date) of the course as follows: One-week Summer course – 1 calendar day from the first day of class for the course; Two-week Summer course – 2 calendar days from the first day of class for the course, etc. up to a maximum of 12 calendar days for a 12 week course. This is applicable to all delivery modalities.
The Dead Sea Scrolls (DSS) provide an important template for those wishing to studyscripture or exegetical material of any Abrahamic tradition (whether Jewish, Christian, or Muslim) and its formation. The scrolls frequently reinterpret texts which highlight a "particular type of intertextuality which exists between an authoritative scriptural antecedent and its subsequent reuse in a type of rewriting, in which there is a close textual relationship between the scriptural predecessor and the rewritten work" (Petersen 2012: 485). This tradition of reinterpreted scripture, seen as a "textual strategy" (Petersen 484), is present within varying DSS literary genres of authoritative scriptural texts, legal rules, religious disputes, liturgical traditions, and even commentaries. Such a practice of reinterpreting earlier texts is found within not only Jewish scripture but is also similar to what one finds in early Christian and Islamic scriptural and exegetical traditions as' well. Having such a comprehension is helpful for exegesis and understanding the underlying purpose of any of the above scriptural and textual traditions. Thus this course undertakes a study of the practice of reinterpreted scripture as evidenced in the DSS genres of scripture, legal rules, religious disputes, liturgical traditions, and commentaries (pesharim). An introduction to the scrolls, their discovery and preservation, their sectarian nature and the related history of the Qumran site will also be addressed as an essential component of understanding the nature of the scrolls.
Using a case-based approach, and a combination of lectures and dircted discussion, this course will explore foundational and current issues in BioethicS in light of catholic tradition and teaching. Topics to inctude: bioathical issues at the beginning of life and end of life; research on human subjects; resource allocation and rationing; bioethics in a global context: principles of biomedical ethics: ethic of care; virtue ethics/Christian virtue ethics. The instructor will present an overview of each week's topic; however, the bulk of the class will be devoted to a discussion of the issue at hand.
This course is designed as an introduction to the field of Christian ethics, not as a cerebral and academic discipline but as a lived, embodied Christian reality. It is designed with the intent of providing the student with a framework through which to understand what it means to live as the church within the complexities of the social, moral, and political world of the 21st century. The themes of drama, narrative, acting, and especially "improvisation" provide the conceptual lens through which we will engage various ethical complexities such as genetic-bio-ethical issues, sexuality, family and marriage, pacifism and war, or ecological ethics. This will be an online course with a written lecture format, weekly readings, student participation in weekly discussion questions, one minor assignment, and a final major paper.
This course is designed as an introduction to the field of Christian ethics, not as a cerebral and academic discipline but as a lived, embodied Christian reality. It is designed with the intent of providing the student with a framework through which to understand what it means to live as the church within the complexities of the social, moral, and political world of the 21st century. The themes of drama, narrative, acting, and especially "improvisation" provide the conceptual lens through which we will engage various ethical complexities such as genetic-bio-ethical issues, sexuality, family and marriage, pacifism and war, or ecological ethics. This will be an online course with a written lecture format, weekly readings, student participation in weekly discussion questions, one minor assignment, and a final major paper.
This course is designed as an introduction to the field of Christian ethics, not as a cerebral and academic discipline but as a lived, embodied Christian reality. It is designed with the intent of providing the student with a framework through which to understand what it means to live as the church within the complexities of the social, moral, and political world of the 21st century. The themes of drama, narrative, acting, and especially "improvisation" provide the conceptual lens through which we will engage various ethical complexities such as genetic-bio-ethical issues, sexuality, family and marriage, pacifism and war, or ecological ethics. This will be an online course with a written lecture format, weekly readings, student participation in weekly discussion questions, one minor assignment, and a final major paper.
This course is designed as an introduction to the field of Christian ethics, not as a cerebral and academic discipline but as a lived, embodied Christian reality. It is designed with the intent of providing the student with a framework through which to understand what it means to live as the church within the complexities of the social, moral, and political world of the 21st century. The themes of drama, narrative, acting, and especially "improvisation" provide the conceptual lens through which we will engage various ethical complexities such as genetic-bio-ethical issues, sexuality, family and marriage, pacifism and war, or ecological ethics. This will be an online course with a written lecture format, weekly readings, student participation in weekly discussion questions, one minor assignment, and a final major paper.
In this course we will look at a variety of biblical episodes and stories from both the Old and New Testaments and how they have been seen, imagined, and interpreted by artists and musicians over the centuries. We will explore how these works of art spoke to and about the period in which they were created, how they open up new dimensions of understanding the scriptures for us, and the relationship between convention and imagination in interpreting the scriptures. In two sessions we will look in particular at Bach€™s St John Passion, and in relation to it the differing ways the Passion of Jesus Christ has been depicted over the centuries.
In this course we will look at a variety of biblical episodes and stories from both the Old and New Testaments and how they have been seen, imagined, and interpreted by artists and musicians over the centuries. We will explore how these works of art spoke to and about the period in which they were created, how they open up new dimensions of understanding the scriptures for us, and the relationship between convention and imagination in interpreting the scriptures. In two sessions we will look in particular at Bach€™s St John Passion, and in relation to it the differing ways the Passion of Jesus Christ has been depicted over the centuries.
In this course we will look at a variety of biblical episodes and stories from both the Old and New Testaments and how they have been seen, imagined, and interpreted by artists and musicians over the centuries. We will explore how these works of art spoke to and about the period in which they were created, how they open up new dimensions of understanding the scriptures for us, and the relationship between convention and imagination in interpreting the scriptures. In two sessions we will look in particular at Bach's St John Passion, and in relation to it the differing ways the Passion of Jesus Christ has been depicted over the centuries.
In this course we will look at a variety of biblical episodes and stories from both the Old and New Testaments and how they have been seen, imagined, and interpreted by artists and musicians over the centuries. We will explore how these works of art spoke to and about the period in which they were created, how they open up new dimensions of understanding the scriptures for us, and the relationship between convention and imagination in interpreting the scriptures. In two sessions we will look in particular at Bach's St John Passion, and in relation to it the differing ways the Passion of Jesus Christ has been depicted over the centuries.
This course will facilitate an understanding of the Gospel of Mark with reference to five, overarching themes: 1) the text's implied socio-cultural context; 2) narrative structure; 3) the distanciation of the reader from the text; 3) its implied symbolic (structural) world; 4)the intended (and unintended) effects of the text upon the reader; and 5) changes in the reader's self-understanding.
This course will facilitate an understanding of the Gospel of Mark with reference to five, overarching themes: 1) the text's implied socio-cultural context; 2) narrative structure; 3) the distanciation of the reader from the text; 3) its implied symbolic (structural) world; 4)the intended (and unintended) effects of the text upon the reader; and 5) changes in the reader's self-understanding.